For the past decade, I have embarked on a journey to uncover my ancestral roots, guided by local Indigenous elders in the Cowichan Valley, who taught me to honour my heritage with respect. A few summers ago, I traveled to Ireland to connect with my Irish lineage, immersing myself in Celtic mysticism and ancient Gaelic songs, known as Sean Nos. Over the past years I have also engaged in nature-based practices like basketry making and creating a willow garden—acts of beauty-making that honour the earth and the wisdom of my ancestors.
Another one of my favourite practices is making Brigid Crosses, created around the time between the winter solstice and spring equinox. Crafted from local rushes, these crosses symbolize the transition from winter to spring, bringing blessings and protection to the home and hearth. In the Irish tradition, the onset of spring is celebrated on February 1st, marking Brigid’s feast day. Weaving these crosses connects me to my own land, and intertwines my ancestral heritage with the present.
An integral part of this weaving tradition is singing together as we craft, which is an ancient practice that fosters connection and healing. The songs carry ancestral stories, the rhythm of the land, and the harmonies of shared voices. Raising our voices together weaves us into a collective tapestry, creating a sense of belonging and community. It reminds us that we are united by the sacred thread of our shared humanity and the echoes of those who came before us.By delving into my roots and honouring the wisdom of the changing seasons, I’ve deepened my connection to my Irish heritage and nature’s rhythms. Each year, I teach Brigid’s Cross weaving and share seasonal songs when we celebrate Imbolc. Join me by the fire to honour Brigid, the goddess of fertility and rebirth, as we weave those connections to the land, our ancestors, and each other through crafting and communal song.